(1) Teacher.
(2) I see your talents have gone beyond the mere physical level.
(3) Your skills are now at the point of spiritual insight.
(4) I have questions: what is the highest technique you hope to achieve?
(5) To have no technique. Very good.
(6) What are your thoughts when facing an opponent?
(7) There is no opponent.
(8) And why is that?
(9) Because the word "I" does not exist.
(10) So. Continue.
(11) A good fight should be. . .
(12) . . . like a small play, but played seriously.
(13) A good martial artist does not become tense, but ready.
(14) Not thinking, yet not dreaming.
(15) Ready for whatever may come.
(16) When the opponent expand, I contract.
(17) When he contracts, I expand.
(18) And when there is an opportunity. . .
(19) . . . I do not hit.
(20) It hits all by itself.
(21) Now, you must remember. . .
(22) . . .the enemy has only images and illusions. . .
(23) . . . behind which he hides his true motives.
(24) Destroy the image and you will break the enemy.
(25) The "it" that you refer to is a powerful weapon. . .
(26) . . .easily misused by the martial artist who deserts his vows.
(27) For centuries now, the code of the Shaolin Temple has been preserved.
(28) Remember, the honor of our brotherhood has been held true.
(29) Tell me now the Shaolin commandment number 1 3.
(30) "A martial artist has to take responsibility for himself. . .
(31) . . .and accept the consequences of his own doing."
(32) I'm ashamed to tell you now. . .
(33) . . .among all the Shaolin men I have taught. . .
(34) . . .there is one who has turned the ways of knowledge and strength. . .
(35) . . .to his own base ends.
(36) He has perverted all we hold sacred.
(37) His name is Han.
(38) In defiance of all our beliefs. . .
(39) . . . he has brought disgrace to the Shaolin Temple.
(40) So it is now for you to reclaim our lost honor.
(41) Yes. I understand.
(42) There is a man here. You will go to him.
(43) Hello, Mr. Lee. My name's Braithwaite.
(44) Hello, Mr. Braithwaite.
(45) I've come to speak to you about a matter of great importance.
(46) Have some tea? Yes, indeed.
(47) This is very pleasant.
(48) Mr. Lee, I've come to speak to you about a tournament of martial arts.
(49) A tournament to which you've received an invitation.
(50) Specifically, a tournament organized by Mr. Han.
(51) Han's tournament. I know, I know, I know.
(52) But we'd very much like you to attend that particular tournament, Mr. Lee.
(53) "We," Mr. Braithwaite?
(54) It's Lao's time.
(55) Yes, of course.
(56) Kick me.
(57) What was that? An exhibition?
(58) We need emotional content.
(59) Try again.
(60) I said, emotional content, not anger.
(61) Now, try again. With me.
(62) That's it.
(63) How did it feel to you?
(64) Let me think. . . .
(65) Don't think. Feel.
(66) It is like a finger pointing a way to the moon.
(67) Don't concentrate on the finger. . .
(68) . . .or you will miss all that heavenly glory.
(69) Do you understand?
(70) Never take your eyes off your opponent, even when you bow.
(71) That's it.
(72) There.
(73) That's Han. That's the only film we have on him.
(74) We know he was a member of your temple.
(75) A Shaolin monk, now a renegade.
(76) That's Oharra behind him. Personal bodyguard.
(77) Tough, ruthless, as you might expect, being Han's bodyguard.
(78) We got our hands on a demonstration film of Oharra.
(79) All real bricks and boards, nothing phony about any of it.
(80) This was before he picked up a facial scar somewhere.
(81) This is where you'll be going.
(82) An island fortress, really.
(83) After the war, the nationality of the island was uncertain.
(84) And sometime after that, Han bought it.
(85) What do you know about Han?
(86) He lives like a king on that island.
(87) Totally self-sufficient.
(88) All of his efforts, seemingly. . .
(89) . . .are directed toward supporting what he calls his "school of martial arts."
(90) Han's only contact with the outside world is this tournament. . .
(91) . . .which he holds every three years.
(92) This was a stewardess, Mary King, found floating in the harbor.
(93) Nothing unusual about a body in the harbor.
(94) But this girl was last seen at a party aboard Han's private junk.
(95) They'd reported her lost at sea before the body was found.
(96) We believe he selects attractive girls...
(97) ...methodically builds their dependence on drugs...
(98) ...then sells them to an elite clientele around the world.
(99) What did the autopsy reveal as the cause of death?
(100) She did not drown. She OD'd?
Showing posts with label 1973. Show all posts
Showing posts with label 1973. Show all posts
Thursday, January 21, 2016
Thursday, January 7, 2016
[1973] [Dirty Harry: Magnum Force] English Transcripts
(1) This is a .44 Magnum, the most powerful handgun in the world.
(2) And it could blow your head clean off.
(3) Do you feel lucky?
(4) Mr. Ricca! How do you feel about your acquittal?
(5) It proves what I always said, I had nothing to do with Scarza's murder.
(6) Who could have killed Anthony Scarza and his family?
(7) That's a stupid question. Get off my back!
(8) Mr. Weinstein, explain the technicality involving the lack of admissible evidence.
(9) That's a legality that can't be explained at this time.
(10) Mr. Weinstein, you don't seem surprised about the decision.
(11) I don't know why they waste the taxpayers' money.
(12) This whole thing is an arbitrary attack on a legitimate businessman.
(13) Do you have any comments? What, dear?
(14) Do you have any other comments?
(15) I'll give you a comment: Their minds are dead.
(16) What do you mean by that? Their minds are dead.
(17) Mr. Ricca means he is very pleased with the decision.
(18) There's a big crowd. Do you fear for your life?
(19) No, of course not.
(20) Mr. Estabrook.
(21) As the prosecutor, how do you feel about the court's decision?
(22) It's happened before, it'll probably happen again.
(23) I have no more comments.
(24) I'm sorry, no comments. No comments!
(25) I have no comments.
(26) You know what I think? I'll tell you what I think!
(27) Fuck the courts, that's what I think!
(28) They've already wasted too much time worrying about the rights of killers!
(29) Ricca, you're a killer!
(30) Get in the car! Go on!
(31) Murderer!
(32) Today the noted labor leader Carmine Ricca...
(33) ... was acquitted on a technicality: The lack of admissible evidence.
(34) Ricca had been charged with complicity...
(35) ...in the murders of labor reformer Anthony Scarza and his family.
(36) When he appeared outside the courthouse this afternoon, a free man...
(37) ... it touched off a wild, mob-like demonstration.
(38) But the police were finally able to bring it under control...
(39) ... and there have been no reports of injuries.
(40) But one can expect an uproar from an angry and alarmed crowd...
(41) ... which fully expected Ricca to be convicted.
(42) And I'm sure we haven't heard the last of the Ricca case.
(43) Art Brown reporting from city hall.
(44) Cop.
(45) Gino, for Christ's sake.
(46) Come on, Carmine. I'm driving this thing like a baby carriage.
(47) Could I see your driver's license, please?
(48) Do you know who that is sitting back there?
(49) I'll still have to see your driver's license, please.
(50) I'll have to find it.
(51) Do you know why you're being stopped?
(52) Yes, we know, Officer, and you're making a big mistake.
(53) You crossed a double line back there. A double line?
(54) Take it easy.
(55) Whatever you say, Officer.
(56) I just happened to find it, sir.
(57) That's right, Simple Simon.
(58) Check, see if it's stolen.
(59) I want this bastard busted out of his job.
(60) We'll take care of this guy. You fellas, just take it easy.
(61) This car registered to you? To him.
(62) I'll have to see the registration. Come on, give me that license.
(63) That's okay.
(64) Hi, Harry. Is this your case?
(65) Walter?
(66) Hello, Harry. What are you doing here?
(67) This couldn't have happened to a nicer bunch.
(68) Ricca, Weinstein, his attorney. James Cantina, the driver.
(69) What about the bodyguard?
(70) We're checking that out now, Lieutenant.
(71) Looks like somebody saved the taxpayers a lot of money, doesn't it?
(72) Callahan, what're you doing here? You're on loan to stakeout.
(73) We had nothing hot on, besides, we were close.
(74) Callahan, you get your lying ass in gear and get back to that stake-out squad.
(75) Anything else, you call it in.
(76) Who do you think did this, Briggs? You're on loan to stakeout, Callahan.
(77) That's right, Lieutenant, you saw to that.
(78) I've got nothing personal against you, Callahan.
(79) But we can't have the public crying, "police brutality"...
(80) ...every time you're on the street.
(81) You just might need me on a job like this.
(82) Whoever did this was very good at it.
(83) You'd sure be the one to know, Harry.
(84) Well, I just work for this city, Briggs. So do I.
(85) Longer than you.
(86) And I never had to take my gun out of its holster, once. I'm proud of that.
(87) Well, you're a good man, Lieutenant.
(88) A good man always knows his limitations.
(89) Lt. Briggs? Yeah?
(90) What did you get?
(91) Well, it looks like they were killed with a Magnum.
(92) The boys now are checking the blood types and for fingerprints.
(93) What do you have?
(94) Driver's license. Doesn't look at all like the usual gangster crap, does it?
(95) Briggs has his nose up his ass today.
(96) I guess he thinks that's where his promotion is.
(97) See you later, Harry.
(98) What's with you and Briggs anyway?
(99) Jealousy.
(100) He knows this is the kind of case I should be on. It's just a matter of time.
(2) And it could blow your head clean off.
(3) Do you feel lucky?
(4) Mr. Ricca! How do you feel about your acquittal?
(5) It proves what I always said, I had nothing to do with Scarza's murder.
(6) Who could have killed Anthony Scarza and his family?
(7) That's a stupid question. Get off my back!
(8) Mr. Weinstein, explain the technicality involving the lack of admissible evidence.
(9) That's a legality that can't be explained at this time.
(10) Mr. Weinstein, you don't seem surprised about the decision.
(11) I don't know why they waste the taxpayers' money.
(12) This whole thing is an arbitrary attack on a legitimate businessman.
(13) Do you have any comments? What, dear?
(14) Do you have any other comments?
(15) I'll give you a comment: Their minds are dead.
(16) What do you mean by that? Their minds are dead.
(17) Mr. Ricca means he is very pleased with the decision.
(18) There's a big crowd. Do you fear for your life?
(19) No, of course not.
(20) Mr. Estabrook.
(21) As the prosecutor, how do you feel about the court's decision?
(22) It's happened before, it'll probably happen again.
(23) I have no more comments.
(24) I'm sorry, no comments. No comments!
(25) I have no comments.
(26) You know what I think? I'll tell you what I think!
(27) Fuck the courts, that's what I think!
(28) They've already wasted too much time worrying about the rights of killers!
(29) Ricca, you're a killer!
(30) Get in the car! Go on!
(31) Murderer!
(32) Today the noted labor leader Carmine Ricca...
(33) ... was acquitted on a technicality: The lack of admissible evidence.
(34) Ricca had been charged with complicity...
(35) ...in the murders of labor reformer Anthony Scarza and his family.
(36) When he appeared outside the courthouse this afternoon, a free man...
(37) ... it touched off a wild, mob-like demonstration.
(38) But the police were finally able to bring it under control...
(39) ... and there have been no reports of injuries.
(40) But one can expect an uproar from an angry and alarmed crowd...
(41) ... which fully expected Ricca to be convicted.
(42) And I'm sure we haven't heard the last of the Ricca case.
(43) Art Brown reporting from city hall.
(44) Cop.
(45) Gino, for Christ's sake.
(46) Come on, Carmine. I'm driving this thing like a baby carriage.
(47) Could I see your driver's license, please?
(48) Do you know who that is sitting back there?
(49) I'll still have to see your driver's license, please.
(50) I'll have to find it.
(51) Do you know why you're being stopped?
(52) Yes, we know, Officer, and you're making a big mistake.
(53) You crossed a double line back there. A double line?
(54) Take it easy.
(55) Whatever you say, Officer.
(56) I just happened to find it, sir.
(57) That's right, Simple Simon.
(58) Check, see if it's stolen.
(59) I want this bastard busted out of his job.
(60) We'll take care of this guy. You fellas, just take it easy.
(61) This car registered to you? To him.
(62) I'll have to see the registration. Come on, give me that license.
(63) That's okay.
(64) Hi, Harry. Is this your case?
(65) Walter?
(66) Hello, Harry. What are you doing here?
(67) This couldn't have happened to a nicer bunch.
(68) Ricca, Weinstein, his attorney. James Cantina, the driver.
(69) What about the bodyguard?
(70) We're checking that out now, Lieutenant.
(71) Looks like somebody saved the taxpayers a lot of money, doesn't it?
(72) Callahan, what're you doing here? You're on loan to stakeout.
(73) We had nothing hot on, besides, we were close.
(74) Callahan, you get your lying ass in gear and get back to that stake-out squad.
(75) Anything else, you call it in.
(76) Who do you think did this, Briggs? You're on loan to stakeout, Callahan.
(77) That's right, Lieutenant, you saw to that.
(78) I've got nothing personal against you, Callahan.
(79) But we can't have the public crying, "police brutality"...
(80) ...every time you're on the street.
(81) You just might need me on a job like this.
(82) Whoever did this was very good at it.
(83) You'd sure be the one to know, Harry.
(84) Well, I just work for this city, Briggs. So do I.
(85) Longer than you.
(86) And I never had to take my gun out of its holster, once. I'm proud of that.
(87) Well, you're a good man, Lieutenant.
(88) A good man always knows his limitations.
(89) Lt. Briggs? Yeah?
(90) What did you get?
(91) Well, it looks like they were killed with a Magnum.
(92) The boys now are checking the blood types and for fingerprints.
(93) What do you have?
(94) Driver's license. Doesn't look at all like the usual gangster crap, does it?
(95) Briggs has his nose up his ass today.
(96) I guess he thinks that's where his promotion is.
(97) See you later, Harry.
(98) What's with you and Briggs anyway?
(99) Jealousy.
(100) He knows this is the kind of case I should be on. It's just a matter of time.
Thursday, December 10, 2015
[1973] [Coffy] English Transcripts
(1) (FUNK MUSIC PLAYS)
(2) (INAUDIBLE)
(3) (INAUDIBLE)
(4) Grover, what do you mean coming in here after me when I'm with my friends?
(5) Get outta here. You'll get your supplies tomorrow like everybody else.
(6) It ain't that. I brought you something. Yeah? What?
(7) A piece of tail, cos I owe you a favour, you dig?
(8) A piece of what? Man, what you talking about? Look over there.
(9) I got plenty of tail. I got more tail than I can handle. I even got white tail.
(10) And you telling me you brought me something. What you been shootin'?
(11) It ain't that. This is something special. This broad is strung out.
(12) Says she'll do anything to get straight, man. Anything.
(13) Then she's yours. You fix her.
(14) Come on, man. Don't be like that.
(15) If I say she's somethin' special, she's somethin' special, man.
(16) At least you can look at her. She's sittin' in your car.
(17) In my car? You mean you've got some strung-out broad in my car?
(18) Man, I'm gonna kick your ass.
(19) All right, baby. Everybody out.
(20) You say she'll do anything? That's what she said, man.
(21) Ain't she somethin'? Too much for me.
(22) Get in. You drive.
(23) Honey, you're with friends at last.
(24) We're gonna straighten you out for sure.
(25) You know just the words that turn me on.
(26) And I know what you want, too, and you're gonna get it.
(27) Let's go to your place. You can have the leftovers.
(28) No, man, I just wanna get high and watch.
(29) Hey, ain't one man big enough for you, honey?
(30) Do I look like the kind of girl one man would be enough for?
(31) One big man. One big dealin' man, maybe.
(32) You are that big dealin' man I been hearin' about, ain't you?
(33) Yeah, maybe. Big enough.
(34) When you gonna give me some? In a little bit. We're almost there.
(35) Anything you want, big man.
(36) Jesus.
(37) (♪ "COFFY IS THE COLOUR" BY ROY AYERS)
(38) Coffy is the colour
(39) Coffy is the colour
(40) Coffy is the colour of your skin
(41) Coffy is the world you live in
(42) Coffy is the colour
(43) Coffy is the colour
(44) Coffy is feelin' somethin' deep
(45) Yeah
(46) Yeah
(47) Coffy is feelin' somethin' deep
(48) Coffy is the colour
(49) Coffy is the colour
(50) Coffy
(51) Coffy
(52) Coffy
(53) Coffy
(54) Coffy
(55) Son of a bitch. You really is a big man, aren't you?
(56) Yeah.
(57) Wait.
(58) You better give it to me first.
(59) Dammit, what the hell are you doing in there? Making a goddamn soufflé?
(60) Just a minute, Sugarman.
(61) First things first, you dig?
(62) Hey, big man. Why don't you turn out the lights?
(63) This is the end of your rotten life, you motherfuckin' dope pusher.
(64) It was easy for him because he really didn't believe it was comin'.
(65) But it ain't gonna be easy for you. You better believe it's comin'.
(66) Wait. Wait.
(67) What do you wanna go and do this for? Why?
(68) Look here. I got your fix. Don't you want your fix?
(69) No. But you do.
(70) I don't get this. What do you want with me?
(71) My name's Coffin. LuBelle Coffin is my little sister.
(72) LuBelle?
(73) Shootin' smack at 11, and you got her on it!
(74) Please! Please!
(75) Her whole life is gone. She can never get it back.
(76) And you're livin' real good. That ain't right.
(77) It ain't right, so go on and take the shot. I can't. That'd kill me.
(78) Maybe it will, maybe it won't. But if it do, you're gonna fly through the Pearly Gates
(79) with the biggest fuckin' smile St Peter's ever seen.
(80) I don't even remember your little sister. No!
(81) NURSE: I can't do it, Doctor. Christ, now what?
(82) It's her first time in emergency.
(83) Get somebody in here who can handle this job.
(84) Where's Coffin? Get Coffin in here.
(85) Sorry I'm late, Doctor. Where the hell have you been?
(86) Car broke down on the freeway. Just shook me up a little bit. I'll be all right.
(87) Jesus, what's happening here tonight?
(88) This place is turning into a fuckin' insane asylum.
(89) Coffy, get your ass outta here, and don't come back until you're good and ready.
(90) Now move! Yes, Doctor.
(91) All right, let's go. We don't have all day.
(92) Hi, Doctor. Another fun-filled Saturday night.
(93) What can I do for you, McHenry? This is my new partner, Carter Brown.
(94) Carter, Dr Brannan. How are you, Doctor?
(95) Hello, young man.
(96) Sergeant said you want information on that junkie OD case we turned up tonight.
(97) Right. Come over to the desk for a minute. I don't think he's gonna come out of it,
(98) because he apparently shot something else besides heroin. Clipboard, please.
(99) I'd like to know if you found any other drugs around the scene.
(100) I'd like to know what to treat him for until we get the analysis.
(2) (INAUDIBLE)
(3) (INAUDIBLE)
(4) Grover, what do you mean coming in here after me when I'm with my friends?
(5) Get outta here. You'll get your supplies tomorrow like everybody else.
(6) It ain't that. I brought you something. Yeah? What?
(7) A piece of tail, cos I owe you a favour, you dig?
(8) A piece of what? Man, what you talking about? Look over there.
(9) I got plenty of tail. I got more tail than I can handle. I even got white tail.
(10) And you telling me you brought me something. What you been shootin'?
(11) It ain't that. This is something special. This broad is strung out.
(12) Says she'll do anything to get straight, man. Anything.
(13) Then she's yours. You fix her.
(14) Come on, man. Don't be like that.
(15) If I say she's somethin' special, she's somethin' special, man.
(16) At least you can look at her. She's sittin' in your car.
(17) In my car? You mean you've got some strung-out broad in my car?
(18) Man, I'm gonna kick your ass.
(19) All right, baby. Everybody out.
(20) You say she'll do anything? That's what she said, man.
(21) Ain't she somethin'? Too much for me.
(22) Get in. You drive.
(23) Honey, you're with friends at last.
(24) We're gonna straighten you out for sure.
(25) You know just the words that turn me on.
(26) And I know what you want, too, and you're gonna get it.
(27) Let's go to your place. You can have the leftovers.
(28) No, man, I just wanna get high and watch.
(29) Hey, ain't one man big enough for you, honey?
(30) Do I look like the kind of girl one man would be enough for?
(31) One big man. One big dealin' man, maybe.
(32) You are that big dealin' man I been hearin' about, ain't you?
(33) Yeah, maybe. Big enough.
(34) When you gonna give me some? In a little bit. We're almost there.
(35) Anything you want, big man.
(36) Jesus.
(37) (♪ "COFFY IS THE COLOUR" BY ROY AYERS)
(38) Coffy is the colour
(39) Coffy is the colour
(40) Coffy is the colour of your skin
(41) Coffy is the world you live in
(42) Coffy is the colour
(43) Coffy is the colour
(44) Coffy is feelin' somethin' deep
(45) Yeah
(46) Yeah
(47) Coffy is feelin' somethin' deep
(48) Coffy is the colour
(49) Coffy is the colour
(50) Coffy
(51) Coffy
(52) Coffy
(53) Coffy
(54) Coffy
(55) Son of a bitch. You really is a big man, aren't you?
(56) Yeah.
(57) Wait.
(58) You better give it to me first.
(59) Dammit, what the hell are you doing in there? Making a goddamn soufflé?
(60) Just a minute, Sugarman.
(61) First things first, you dig?
(62) Hey, big man. Why don't you turn out the lights?
(63) This is the end of your rotten life, you motherfuckin' dope pusher.
(64) It was easy for him because he really didn't believe it was comin'.
(65) But it ain't gonna be easy for you. You better believe it's comin'.
(66) Wait. Wait.
(67) What do you wanna go and do this for? Why?
(68) Look here. I got your fix. Don't you want your fix?
(69) No. But you do.
(70) I don't get this. What do you want with me?
(71) My name's Coffin. LuBelle Coffin is my little sister.
(72) LuBelle?
(73) Shootin' smack at 11, and you got her on it!
(74) Please! Please!
(75) Her whole life is gone. She can never get it back.
(76) And you're livin' real good. That ain't right.
(77) It ain't right, so go on and take the shot. I can't. That'd kill me.
(78) Maybe it will, maybe it won't. But if it do, you're gonna fly through the Pearly Gates
(79) with the biggest fuckin' smile St Peter's ever seen.
(80) I don't even remember your little sister. No!
(81) NURSE: I can't do it, Doctor. Christ, now what?
(82) It's her first time in emergency.
(83) Get somebody in here who can handle this job.
(84) Where's Coffin? Get Coffin in here.
(85) Sorry I'm late, Doctor. Where the hell have you been?
(86) Car broke down on the freeway. Just shook me up a little bit. I'll be all right.
(87) Jesus, what's happening here tonight?
(88) This place is turning into a fuckin' insane asylum.
(89) Coffy, get your ass outta here, and don't come back until you're good and ready.
(90) Now move! Yes, Doctor.
(91) All right, let's go. We don't have all day.
(92) Hi, Doctor. Another fun-filled Saturday night.
(93) What can I do for you, McHenry? This is my new partner, Carter Brown.
(94) Carter, Dr Brannan. How are you, Doctor?
(95) Hello, young man.
(96) Sergeant said you want information on that junkie OD case we turned up tonight.
(97) Right. Come over to the desk for a minute. I don't think he's gonna come out of it,
(98) because he apparently shot something else besides heroin. Clipboard, please.
(99) I'd like to know if you found any other drugs around the scene.
(100) I'd like to know what to treat him for until we get the analysis.
Tuesday, December 8, 2015
[1973] [Charley Varrick] English Transcripts
(1) I'm afraid you're in a red zone. There's your bank parking.
(2) Oh, I was just letting my husband out.
(3) I just have to cash a cheque, officer.
(4) I appreciate if you let her sit her for a few minutes..
(5) See, I got this busted ankle.
(6) Listen, why don't you let me park the car,
(7) and then you endorse the cheque and I'll go in and cash it.
(8) I'll go in and cash my own cheque. It's my cheque, isn't it?
(9) Now I'm going to endorse it and cash it myself.
(10) I think he's afraid I'm going to abscond with the money.
(11) Don't have to be waited on hand or foot like I was some damn old crock.
(12) Nobody said you're an old crock!
(13) Well, you implied it.
(14) Ok. It's ok. You can park here.
(15) But please make it as quick as you can.
(16) Much obliged officer.
(17) Marry a hippie and she'll start endorsing your cheques.
(18) "Colorado, George Adam, 1742".
(19) What?
(20) Plates on that Connie..
(21) What about them?
(22) I don't know.. I'm almost sure I've seen that number on a hot sheet.
(23) So, run a check on it.
(24) San Miguel 4, requesting a make on
(25) Colorado license: "George Adam, 1742".
(26) Have a nice day, Rick.
(27) Thank you, Miss Ambar.
(28) G'morning. Good Morning, Sir.
(29) Could you please endorse this, Sir. Oh, sure.
(30) Here, I'll use my own pen. I write a lil' better with it...
(31) Here you are. Thank you.
(32) Do you have an account here Mr. Pennis?
(33) No but that's a good cheque.
(34) I'm sure it is Mr. Pennis but I'll have to get an ok from the bank manager.
(35) Sure. Excuse me.
(36) Ms. Vesta.
(37) What? Can we get an ok from Mr. Young on this?
(38) Oh, Yes.
(39) Hello Jessie, San Miguel 4 here.
(40) Have you got anything on those Colorado plates here?
(41) Not yet. We're still checking. I'll get right back to you.
(42) Mr. Pennis? Yes, Sir.
(43) I'm sorry Sir, but it's an out-of-state bank.
(44) Oh but that's a bank cashier's cheque, Sir. What could possibly be wrong with that?
(45) I'm sure it's fine. I'll just have my secretary check on it. Ms. Vesta.
(46) Yes, Mr. Young.
(47) Would you mind getting on the phone verifying that...
(48) That's a perfectly good cheque..
(49) Against the wall!
(50) Nobody move!
(51) Keep your hands up!
(52) Ok, open that vault and nobody'll get hurt..
(53) You wanna die for somebody else's money?
(54) No, but I..
(55) Move it, move it!
(56) San Miguel 4? This is Pearl. Rudy?
(57) San Miguel 4. Go ahead. Jessie.
(58) Looks like we've got something. "Colorado, George Adam, 1742"
(59) is a hot plate. It goes with a green Camaro
(60) stolen in Denver on July 7th.
(61) Well, it's on a '72 Continental now.
(62) The Sheriff's on his way.
(63) Is that all?
(64) Where's the money Mister?
(65) That's all. It's a very small town, Sir.
(66) You're a good dancer?
(67) I don't understand, Sir.
(68) You're dancing sideways! What are you hiding down there?
(69) Oh, nothing.
(70) Pick it up!
(71) What's in there? Bonds. Non-negotiable bonds.
(72) Better be what you sayin'.
(73) Open it up. Fast!
(74) Yes, Sir.
(75) G'morning Ma'am. G'morning.
(76) May I see your driver's license, please?
(77) Oh, certainly.
(78) Stop the car and put down the hood. Stop the car.
(79) Look at that Charley! We creamed them! Hot damn! Creamed pig!
(80) Get this on the emergency band.
(81) There's been a bank robbery over here in Tres Cruces.
(82) Are you alright Sheriff?
(83) Goddamn shambles! Two officers down.
(84) We need help. All units and an ambulance.
(85) You got that Jessie? Yes, Sir.
(86) The suspects were last seen heading south in a '72 Continental.
(87) Now that's a yellow four door, with those Colorado plates.
(88) There are 3 occupants. A woman's driving.
(89) And they're armed and dangerous.
(90) Over and out Jessie.
(91) Are you sure you're alright Sheriff?
(92) How is he? He's alive, anyway.
(93) Stick your neck kid. Ambulance'll be here in a minute.
(94) I got their license. I got their license. GA 1472.
(95) No. It's GA 1742.
(96) Right. GA 1742. Thank you.
(97) Sheriff, You have blood on your forehead. You're not gonna die, are you?
(98) Get along home now son, go on.
(99) Open up there! Sheriff Horton.
(100) How come the gate's locked?
(2) Oh, I was just letting my husband out.
(3) I just have to cash a cheque, officer.
(4) I appreciate if you let her sit her for a few minutes..
(5) See, I got this busted ankle.
(6) Listen, why don't you let me park the car,
(7) and then you endorse the cheque and I'll go in and cash it.
(8) I'll go in and cash my own cheque. It's my cheque, isn't it?
(9) Now I'm going to endorse it and cash it myself.
(10) I think he's afraid I'm going to abscond with the money.
(11) Don't have to be waited on hand or foot like I was some damn old crock.
(12) Nobody said you're an old crock!
(13) Well, you implied it.
(14) Ok. It's ok. You can park here.
(15) But please make it as quick as you can.
(16) Much obliged officer.
(17) Marry a hippie and she'll start endorsing your cheques.
(18) "Colorado, George Adam, 1742".
(19) What?
(20) Plates on that Connie..
(21) What about them?
(22) I don't know.. I'm almost sure I've seen that number on a hot sheet.
(23) So, run a check on it.
(24) San Miguel 4, requesting a make on
(25) Colorado license: "George Adam, 1742".
(26) Have a nice day, Rick.
(27) Thank you, Miss Ambar.
(28) G'morning. Good Morning, Sir.
(29) Could you please endorse this, Sir. Oh, sure.
(30) Here, I'll use my own pen. I write a lil' better with it...
(31) Here you are. Thank you.
(32) Do you have an account here Mr. Pennis?
(33) No but that's a good cheque.
(34) I'm sure it is Mr. Pennis but I'll have to get an ok from the bank manager.
(35) Sure. Excuse me.
(36) Ms. Vesta.
(37) What? Can we get an ok from Mr. Young on this?
(38) Oh, Yes.
(39) Hello Jessie, San Miguel 4 here.
(40) Have you got anything on those Colorado plates here?
(41) Not yet. We're still checking. I'll get right back to you.
(42) Mr. Pennis? Yes, Sir.
(43) I'm sorry Sir, but it's an out-of-state bank.
(44) Oh but that's a bank cashier's cheque, Sir. What could possibly be wrong with that?
(45) I'm sure it's fine. I'll just have my secretary check on it. Ms. Vesta.
(46) Yes, Mr. Young.
(47) Would you mind getting on the phone verifying that...
(48) That's a perfectly good cheque..
(49) Against the wall!
(50) Nobody move!
(51) Keep your hands up!
(52) Ok, open that vault and nobody'll get hurt..
(53) You wanna die for somebody else's money?
(54) No, but I..
(55) Move it, move it!
(56) San Miguel 4? This is Pearl. Rudy?
(57) San Miguel 4. Go ahead. Jessie.
(58) Looks like we've got something. "Colorado, George Adam, 1742"
(59) is a hot plate. It goes with a green Camaro
(60) stolen in Denver on July 7th.
(61) Well, it's on a '72 Continental now.
(62) The Sheriff's on his way.
(63) Is that all?
(64) Where's the money Mister?
(65) That's all. It's a very small town, Sir.
(66) You're a good dancer?
(67) I don't understand, Sir.
(68) You're dancing sideways! What are you hiding down there?
(69) Oh, nothing.
(70) Pick it up!
(71) What's in there? Bonds. Non-negotiable bonds.
(72) Better be what you sayin'.
(73) Open it up. Fast!
(74) Yes, Sir.
(75) G'morning Ma'am. G'morning.
(76) May I see your driver's license, please?
(77) Oh, certainly.
(78) Stop the car and put down the hood. Stop the car.
(79) Look at that Charley! We creamed them! Hot damn! Creamed pig!
(80) Get this on the emergency band.
(81) There's been a bank robbery over here in Tres Cruces.
(82) Are you alright Sheriff?
(83) Goddamn shambles! Two officers down.
(84) We need help. All units and an ambulance.
(85) You got that Jessie? Yes, Sir.
(86) The suspects were last seen heading south in a '72 Continental.
(87) Now that's a yellow four door, with those Colorado plates.
(88) There are 3 occupants. A woman's driving.
(89) And they're armed and dangerous.
(90) Over and out Jessie.
(91) Are you sure you're alright Sheriff?
(92) How is he? He's alive, anyway.
(93) Stick your neck kid. Ambulance'll be here in a minute.
(94) I got their license. I got their license. GA 1472.
(95) No. It's GA 1742.
(96) Right. GA 1742. Thank you.
(97) Sheriff, You have blood on your forehead. You're not gonna die, are you?
(98) Get along home now son, go on.
(99) Open up there! Sheriff Horton.
(100) How come the gate's locked?
Wednesday, November 25, 2015
[1973] [Battle for the Planet of the Apes] English Transcripts
(1) "In the beginning, God created beast and man
(2) so that both might live in friendship
(3) and share dominion over a world of peace."
(4) "But in the fullness of time, evil men betrayed God's trust,
(5) and in disobedience to His holy word waged bloody wars,
(6) not only against their own kind,
(7) but against the apes, whom they reduced to slavery."
(8) "Then God in His wrath sent the world a savior,
(9) miraculously born of two apes,
(10) who descended on Earth from Earth's own future."
(11) "And man was afraid, for both parent apes possessed the power of speech."
(12) Come on.
(13) "So both were brutally murdered."
(14) "But the child ape survived, and grew up to set his fellow creatures free
(15) from the yoke of human slavery."
(16) No.
(17) "Yet, in the aftermath of this victory,
(18) the surface of the world was ravaged by the vilest war in human history."
(19) "The great cities of the world split asunder and were flattened,
(20) and out of one such city our savior led a remnant of those who survived
(21) in search of greener pastures,
(22) where ape and human might forever live in friendship,
(23) according to divine will."
(24) "His name was Caesar,
(25) and this is his story in those far-off days."
(26) You're not gonna make it, Jake. We'll make it.
(27) I'll show you how.
(28) Thanks, Aldo. You will call me by my proper rank.
(29) General.
(30) Yes, General.
(31) Don't put him in the corral. I won't be long.
(32) "Ape shall never kill ape."
(33) Shall ape ever kill man?
(34) You're late, General Aldo. Come and read this to the class.
(35) I won't. You won't because you can't.
(36) And you can't because you don't want to learn.
(37) And it is my duty to report this to Caesar.
(38) If my father were a gorilla,
(39) we'd all be learning riding instead of writing.
(40) Silence. Silence.
(41) Cornelius...
(42) Remember - you are Caesar's son and heir.
(43) Being a good rider isn't enough for being a good ruler.
(44) Though, in human history,
(45) quite a number of military dictators seem to have thought so.
(46) Now, all of you, take your charcoal sticks and parchments
(47) and copy down what l"ve written.
(48) The best shall be hung from these hooks.
(49) I can think of better things to hang from those hooks.
(50) But, Virgil, can we tamper with time? Accept my premise.
(51) What premise? Man learned to travel faster than sound.
(52) He could have learned to travel faster than light.
(53) We accept. Then imagine a musician
(54) giving a live broadcast from London to New York on a Wednesday.
(55) He then travels faster than light from London to New York,
(56) where he arrives, as physicists would confirm, on the previous Tuesday.
(57) Listens to his own broadcast on the Wednesday, dislikes its quality,
(58) then travels faster than light to London,
(59) in time for him to decide not to give his broadcast.
(60) Come. I'll prove it to you logically.
(61) Good, Cornelius.
(62) But you"ve made a mistake here. You have put a b in place of the second p.
(63) Teacher, have you forgotten your own name?
(64) Everyone has always called me "Teacher" I had forgotten. "Ape shall never kill Abe."
(65) Thank you, Cornelius. That was a very kind thought.
(66) Gorillas? All right, Aldo, let's start with you.
(67) General Aldo.
(68) With respect, General Aldo, this is barely legible and will have to be written again.
(69) Your capital A leans over like a tent in a high wind.
(70) And your capital K...
(71) "Ape shall never kill Abe."
(72) No, Aldo, no.
(73) Teacher! Teacher. You have spoken the unspeakable.
(74) In all our years of slavery, "no" was the one word we were conditioned to fear.
(75) Caesar has forbidden you its utterance in perpetuity.
(76) An ape may say no to a human,
(77) but a human may never again say no to an ape.
(78) Tell him you're sorry, Abe, and go home. I'll put in a good word for you with Caesar.
(79) General Aldo, I'm... I'm sorry. The writing you destroyed was by Caesar's son.
(80) I did not want you to suffer Caesar's anger.
(81) What do I care for Caesar's anger? Let me give you a taste of mine.
(82) Stop him.
(83) Get him. Get the teacher.
(84) Stop! Stop.
(85) We'll teach the teacher a lesson.
(86) Throw him in the corral, where all humans belong.
(87) I said stop, Aldo.
(88) He broke the law. With his own mouth, he broke the First Law.
(89) I am the law. What has he done? Caesar.
(90) I...
(91) I was there. Teacher only reverted to type under provocation.
(92) He... he spoke like a slavemaster in the old days of our servitude,
(93) when we were conditioned to mechanical obedience.
(94) He uttered a negative imperative.
(95) Could you put that into words which even Caesar could understand?
(96) He said "No, Aldo, no."
(97) The schoolroom was wrecked. The class is ended.
(98) The schoolroom is closed. Now we go back to riding horses.
(99) Aldo!
(100) You and your friends will return to the schoolroom and put it back in order.
(2) so that both might live in friendship
(3) and share dominion over a world of peace."
(4) "But in the fullness of time, evil men betrayed God's trust,
(5) and in disobedience to His holy word waged bloody wars,
(6) not only against their own kind,
(7) but against the apes, whom they reduced to slavery."
(8) "Then God in His wrath sent the world a savior,
(9) miraculously born of two apes,
(10) who descended on Earth from Earth's own future."
(11) "And man was afraid, for both parent apes possessed the power of speech."
(12) Come on.
(13) "So both were brutally murdered."
(14) "But the child ape survived, and grew up to set his fellow creatures free
(15) from the yoke of human slavery."
(16) No.
(17) "Yet, in the aftermath of this victory,
(18) the surface of the world was ravaged by the vilest war in human history."
(19) "The great cities of the world split asunder and were flattened,
(20) and out of one such city our savior led a remnant of those who survived
(21) in search of greener pastures,
(22) where ape and human might forever live in friendship,
(23) according to divine will."
(24) "His name was Caesar,
(25) and this is his story in those far-off days."
(26) You're not gonna make it, Jake. We'll make it.
(27) I'll show you how.
(28) Thanks, Aldo. You will call me by my proper rank.
(29) General.
(30) Yes, General.
(31) Don't put him in the corral. I won't be long.
(32) "Ape shall never kill ape."
(33) Shall ape ever kill man?
(34) You're late, General Aldo. Come and read this to the class.
(35) I won't. You won't because you can't.
(36) And you can't because you don't want to learn.
(37) And it is my duty to report this to Caesar.
(38) If my father were a gorilla,
(39) we'd all be learning riding instead of writing.
(40) Silence. Silence.
(41) Cornelius...
(42) Remember - you are Caesar's son and heir.
(43) Being a good rider isn't enough for being a good ruler.
(44) Though, in human history,
(45) quite a number of military dictators seem to have thought so.
(46) Now, all of you, take your charcoal sticks and parchments
(47) and copy down what l"ve written.
(48) The best shall be hung from these hooks.
(49) I can think of better things to hang from those hooks.
(50) But, Virgil, can we tamper with time? Accept my premise.
(51) What premise? Man learned to travel faster than sound.
(52) He could have learned to travel faster than light.
(53) We accept. Then imagine a musician
(54) giving a live broadcast from London to New York on a Wednesday.
(55) He then travels faster than light from London to New York,
(56) where he arrives, as physicists would confirm, on the previous Tuesday.
(57) Listens to his own broadcast on the Wednesday, dislikes its quality,
(58) then travels faster than light to London,
(59) in time for him to decide not to give his broadcast.
(60) Come. I'll prove it to you logically.
(61) Good, Cornelius.
(62) But you"ve made a mistake here. You have put a b in place of the second p.
(63) Teacher, have you forgotten your own name?
(64) Everyone has always called me "Teacher" I had forgotten. "Ape shall never kill Abe."
(65) Thank you, Cornelius. That was a very kind thought.
(66) Gorillas? All right, Aldo, let's start with you.
(67) General Aldo.
(68) With respect, General Aldo, this is barely legible and will have to be written again.
(69) Your capital A leans over like a tent in a high wind.
(70) And your capital K...
(71) "Ape shall never kill Abe."
(72) No, Aldo, no.
(73) Teacher! Teacher. You have spoken the unspeakable.
(74) In all our years of slavery, "no" was the one word we were conditioned to fear.
(75) Caesar has forbidden you its utterance in perpetuity.
(76) An ape may say no to a human,
(77) but a human may never again say no to an ape.
(78) Tell him you're sorry, Abe, and go home. I'll put in a good word for you with Caesar.
(79) General Aldo, I'm... I'm sorry. The writing you destroyed was by Caesar's son.
(80) I did not want you to suffer Caesar's anger.
(81) What do I care for Caesar's anger? Let me give you a taste of mine.
(82) Stop him.
(83) Get him. Get the teacher.
(84) Stop! Stop.
(85) We'll teach the teacher a lesson.
(86) Throw him in the corral, where all humans belong.
(87) I said stop, Aldo.
(88) He broke the law. With his own mouth, he broke the First Law.
(89) I am the law. What has he done? Caesar.
(90) I...
(91) I was there. Teacher only reverted to type under provocation.
(92) He... he spoke like a slavemaster in the old days of our servitude,
(93) when we were conditioned to mechanical obedience.
(94) He uttered a negative imperative.
(95) Could you put that into words which even Caesar could understand?
(96) He said "No, Aldo, no."
(97) The schoolroom was wrecked. The class is ended.
(98) The schoolroom is closed. Now we go back to riding horses.
(99) Aldo!
(100) You and your friends will return to the schoolroom and put it back in order.
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